Eleven days ago, on Saturday, Sept. 30 2017 I spent a brisk, eventually to become a perfectly beautiful warm autumn day at Sears Point ( Sonoma Raceway nowadays ) attanding the last vintage event of the year.
I had planned to post my typical bi-annual CSRG 'photo essay' a lot sooner, but changes in the schedule of some major construction at our home and other things have kept me from doing so, but now with the fires actually consuming parts of the track and springing up all over the area - so far all are still North of the Sacramento River - I thought it's high time to get these images up to celebrate happier times, rather than to dwell on yet another catastrophe being visited upon our grossly mismanaged & benighted state. At the time I remember thinking what a perfect day it was to enjoy the wonderful weather, great racing with historic & significant cars, and visiting with good friends. I missed the entire 2016 CSRG season and did not attend this year's spring opener either due to some health issues, and was genuinely happy to be able to make it to this last event - sadly, the joy was not to last very long.
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Photo #1 was taken from the parking lot overlooking the track, pretty much where the 'ring of fire' is in the photo Unobtainium posted in his thread " Not a good day at Sears Point".
Some general images including a couple of a faithful recreation of a Ferrari TR-61, followed by several images of Mario Andretti's 1970 Lotus 70 Formula 5000 racer. Started life as a Model 68 in '68 actually, the car, bearing Serial # 001, but was modified and re-badged as a Lotus 70 for the Sebring season opener that year. Originally powered by a Shelby-built and tuned Ford 302 Boss V-8 producing approx. 500 HP the car was raced until 1975 and has been through many hands since. It is believed a total of 8 of these cars were produced.
I remember Colin Chapman didn't particularly care for the F-5000 Series, since it was nothing more than an attempt to bring a simpler, more affordable production-based format to open-wheel, single-seat Formula 1-style racing to America, consequently thoughout his brief flirtation with this Series he maintained a certain 'arm's length' relationship with it - I suspect journalists nowadays would probably use the phrase that Chapman merely ' faxed his ideas & designs in' to be produced at Heathel, but yet, the car displays typical, ingenious Chapmanesque touches such as the pivoting cast aluminum "hats' to contain the upper ends of the front-wheel coil-over units ( photo #6 ) to eliminate binding.
Thanks for looking, and my apologies for waiting so long to post this
JZG